I have to give props to Cat Bordhi. I'm rather abashed to admit that I do so grudgingly, because that seems snotty, but it's the truth. I really didn't care for "Socks Soar on Two Circs," and I think I wrote a cranky blog post about it at the time. Yet despite my complaints, I managed to learn how to use two circulars and got at least one pair of socks knitted.
Then I saw "New Pathways for Sock Knitters" at Maia's house, and I was intrigued by all the designs, which are much more appealing than the ones in "Socks Soar." Not only that, the "anatomy of a sock" diagram that I wanted in "Socks Soar" was there, along with concise instuctions on techniques critical to sock knitting. Between the intriguing (or unbearably cute) designs and the charts and guides that are key to customizing your own socks, this looked like a very valuable sock-knitting reference.
I bought the book after Christmas a year ago, and it has been a valuable reference, even though I'm not much of a sock knitter. I did knit the first two learning socks, and eventually I will work through some more of the sockitechtures. But mainly I come back to this book for the technique instruction. For example, Bordhi's explanation of how to knit together a stitch and its wrap is in a sidebar titled "A wrap resembles a necklace." To me, the tone of that is insufferably twee, but the explanation is thorough and clear, and the twee mnemonic works (dammit).
I also go back again and again to remind myself of the correct way to make lifted left and right increases (which she gives awkward-sounding nicknames). I should probably just drop my resistance and memorize her silly names and mnemonics for which stitch to lift for which side. The diagrams for these increases are great, but if I got the differences firmly enough in mind, I wouldn't have to go back to the book to refresh my memory.
The description of Judy's Magic Cast-on is crystal-clear and takes up only a quarter-page. And she gives abundant credit every time she explains a best practice developed or popularized by someone else, as with this technique. In fact, I just found the tip, squeezed in on the last page of the index, for finishing bind-offs neatly and invisibly. I wish I had found it last night when I was binding off a mitt. That mitt is what caused me to grab "New Pathways" again.
I'm finally finishing the mitts I started as a Christmas/birthday gift for my boss back in November (she reads the blog, but I'm sure all the boring knitting tech-talk has driven her away by now), and I wanted to make sure the bind-off at the top isn't constricting. I figured I'd try Elizabeth Zimmermann's sewn bind-off, since it is reputed to be so elastic. First I dragged out my trusty old Vogue Knitting, which had, as I remembered, an extremely complex series of instructions (it maintains a k2,p2 ribbing pattern as you sew, so it's a mind-numbing, impossible-to-memorize routine of "Insert purlwise once, then insert knitwise to the back, now switch, now stand up and turn around three times..."). I bailed on that and decided to keep looking. I have just one EZ book, and I skipped that because I find EZ's written instructions to be cryptic very often. "Knitting in Plain English" addressed sewn bind-offs only in passing. "No Sheep for You" and "Knitting Circles Around Socks" and "The Sweater Workshop" and "Custom Knits" had nothin'. "DomiKnitrix" shows a tubular bind-off that looks pretty much like the thing, but I wasn't sure it was exactly right. Finally I checked "New Pathways for Sock Knitters," and I should have started there. A sidebar, titled "Elizabeth Zimmermann's sewn bind-off," with blazingly simple instructions. Eureka.
My first mitt is bound off, and the edge is indeed stretchy and unconstricting (unlike the cast-on, which now looks rather tight). So, honestly, I will never diss the twee little metaphors or titles like "Treasury of Magical Knitting" again. (I almost wrote "Enchanted Broccoli Forest" there.)
I'll photograph the mitts as soon as I've bound off the second one and knitted the thumbs. I swiped the eyelet stitch pattern from the Riverbed sock pattern in "New Pathways," and I did these two at a time on magic loop, following the instructions in Melissa Morgan-Oakes's "2-at-a-Time Socks." That has been another really good reference guide for techniques that are good for more than just socks.
As I was working on the mitt last night I thought about the "Sock Summit" convention that's scheduled for this coming August. I was imagining sessions titled "Grafting Intensive" and "Cast-on Colloquium." That would be kind of a hoot, but as I've said, I'm not a sock knitter.